Right Out the Funny Bone
Feb10
That looks…. SO uncomfortable.
Mastery
Act 1 – Ignition
Ashley SimsEnergetic and passionate, "Ash" aims to enjoy as much of life as possible. Her quick thinking helps keep her on the path that best suits her, though her vision may be at times limited.. She shares a long-standing multi-faceted relationship with Sarah Gains. Comics: 130 |
Johnson GainsSarah's Dad. Forever besties with Ash's Dad, Mark. Neeeeerds. Comics: 24 |
Mark SimsAsh's Dad and life-long friend of Johnson. They've shared their childhood, workplace, and even child-raising. Comics: 26 |
Sarah GainsA retired high school track star and NuTube athletic footwear critic. Sarah Gains nears the end of her high school career certain of only two things. 1. She will always have her best friend/romantic partner Ash by her side. 2. She has no idea what she's going to do next. "Fortunately" for her, she's now this comic's main character! Comics: 142 |
ICY HOT FOR ELBOW PAIN
Oh my god, that’s hilarious xD
NYA-UGHU GAH AWA
Tell us how you *really* feel, Sare.
I really, really like the floating heads concept. When you don’t have to draw bodies, or even give the characters a reason to be physically present in the story line, the panels REALLY open up and you can do a lot more in them. The heads become sort of a Greek chorus thing. And, I agree with Ash, I’m really enjoying the view here. 🙂
It’s suuuuper useful and I should have started doing that earlier.
I especially like the fact that the floating heads are 3D and situationally aware. This is probably one of the best representations of the concept, it works *really* well with the page composition and the action.
If it was just a method of tagging speech bubbles it wouldn’t work anywhere *near* as well, because this shows what the off-screen character is reacting to, which helps the narrative flow and the conversation.
Long long time back I went with a color-coding system. I like this much better.